Animals Pedal "Dawn Ocean Meditation Booster"

Clean booster. A deep and wide world is spreading to pedals that simply raise the volume of the guitar sound.
Raise the volume without distorting the sound itself. Increasing the volume increases the signal level sent to the amp and subsequent effectors.
As the signal level increases, the strength of distortion and the ease of distortion differ with the volume.

Furthermore, the edges and balance of each band, including the overtone components, change slightly, which has various effects on the overall guitar sound. 

 

ANIMAL PEDALS "Relaxing Walrus Pedal"

 RELAXING WALRUS DELAY is a standard and easy-to-use delay effect that is indispensable for adding "amazing" to your guitar play.

The new RELAXING WALRUS DELAY makes it easier to replace the battery than before, while placing a foot switch in front of it to improve playability.
In addition, the beautiful pedal design unique to Animals Pedal can now be placed even more beautifully.
There are no major differences in sound or functionality, but the overall range of timbres has been expanded and tweaked to create the best sound with more amps and guitars.

The simple control knobs of BLEND, TIME, and REPEAT are necessary and sufficient, and you can make the necessary settings without hesitation.
The delay time is wide, from 1 to 500ms, covering from doubling to short delay, medium, and long delay.

ANIMALS PEDALS "Sunday Afternoon Is Infinity Bender"

A thick and warm fuzz tone with a center of gravity near the low to mid.
It is even heavier than the fuzz face, and the higher the fuzz, the higher the edge.
It is a characteristic that is exactly like a tone vendor.

The SMOOTH knob allows you to adjust the fuzz fluff, smoothness, and tone balance.

If you combine it with a clean amp, setting FUZZ high will give you a “fuzz-like” tone.
If you combine it with a tube amp, let's make a sound with FUZZ starting around 12 o'clock.

You can also lower the FUZZ and bring the pickup to the front to create an intensely warm and soft tone.

 

ANIMAL PEDALS "Animals Pedal Diamond Peak Hybrid Over Drive"

Using the UK high-output amplifier of the 60's and 70's that became the legend of rock, the compact pedal produces a "distorted but transparent" hybrid tone played by many masters.

The compact pedal produces the real rock sound of a British tube amp from the early 70's. Designed by Skreddy Pedals for the ultimate in classic rock tones, this pedal is centered around the midrange, with a sparkle on the pedal as the amp begins to distort.

 

ANIMAL PEDALS "Animals Pedal I Was A Wolf In The Forest Distortion"

 I Was A Wolf In The Forest Distortion is a classic distortion pedal for all rock guitarists.

A big black amp that has a big presence on the stage. You can create the thick, warm and edgy distortion sound of a British stack amp with independent amp head and cabinet.


The new I Was A Wolf In The Forest Distortion makes it easier to replace the battery than before, while placing the foot switch in front to improve playability.
In addition, the beautiful pedal design unique to Animals Pedal can now be placed even more beautifully.
There are no major differences in sound or functionality, but the overall range of timbres has been expanded and tweaked to create the best sound with more amps and guitars.

Many distortion pedals can always get a lot of distortion once turned on, but I Was A Wolf In The Forest Distortion has a low DRIVE knob that gives it a light crunch and crisp distortion. You can create a variety of distortions, from creamy overdrive tones to crunchy classic distortion.

You can also use the Volume knob on the guitar to adjust the strength of the distortion, giving you the power, operability, and tone of a real tube stack amp.

Equipped with a VOL control that adjusts the overall volume, a DRIVE control that adjusts the strength of distortion, and a TONE control that controls the brightness of the sound, especially in the high frequencies.
The foot switch is true bypass. It is powered by a 9V battery or a standard center minus DC 9V adapter.

Designed by Australian surf art painter Jonas Cleasson.
I was howling all the time when I was hiking with my dog. The blood of the ancestor wolf may have made a noise. When I get home, I will return to my usual dog. I put it into the design while thinking of such a scene.

● Control
VOL: Adjusts the volume.
TONE: Adjusts the tone centering on the high frequency component.
DRIVE: Adjusts the strength of distortion.

Current consumption: 6mA
Input impedance: 500k ohm
Output impedance: 10k ohm

ANIMAL PEDALS"Animals Pedal I Was A Wolf In The Forest Distortion"

The I WAS A WOLF IN THE FOREST DISTORTION is a pedal that creates a classic distortion for all rock guitarists.

A large black amplifier that has a great presence on stage. You can create the thick, warm and edgy distortion sound of a British stack amp with a separate amp head and cabinet.

Many distortion pedals may always have a strong distortion once turned on, but I WAS A WOLF IN THE FOREST DISTORTION sets the DRIVE knob low, resulting in a crisp distortion with a light crunch, You can create a variety of distortions, from creamy overdrive tones to crunchy classic distortion.

You can also use the Volume knob on the guitar to adjust the strength of the distortion, giving you the power, control, and tone of a real vacuum tube stack amp.

It is equipped with a VOL control that adjusts the overall volume, a DRIVE control that adjusts the strength of distortion, and a TONE control that controls the brightness of the sound, especially in the high range.
The foot switch is true bypass. It is driven by a 9V battery or a standard center minus DC9V adapter.

Designed by surf art painter Jonas Cleasson, who works in Australia.
I was barking all the time when I was hiking with my dog. The blood of the ancestor's wolf must have been noisy. When you get home, you will return to your normal dog. I thought of such a scene and incorporated it into the design.

Current consumption: 6mA
Input impedance: 500k ohm
Output impedance: 10k ohm

ANIMAL PEDALS "Relaxing Walrus Delay"

RELAXING WALRUS DELAY is a standard and easy-to-use delay effect that is indispensable for adding "greatness" to guitar play.

The simple control knobs of Blend, Time, and Repeat are necessary and sufficient, and you can set the necessary settings without hesitation.
The delay time is as wide as 1 to 500 ms and covers doubling to short delay, medium and long delay.

The delay tone of the RELAXING WALRUS DELAY is close to a vintage analog delay and at the same time has the clearness of a digital delay. By setting the Blend knob, you can set the tone of the delicate balance to a natural reverberation that mixes the delay tone with the original sound and melts it, or conversely makes it stand out.
With self-oscillation just like an analog delay, it can be used for a wide variety of purposes, from delays that are always on to delays that are transcendental jumping tools.

ANIMAL PEDALS "Bath Time Reverb"

The Animals Pedal Bath Time Reverb is a standard reverb effect pedal that adds color and depth to the tone of your guitar.

You can select three types of reverb sounds and set them according to your taste and song.

Use the MIX knob to adjust the balance between dry (original sound) and wet (effect sound). The more you turn this knob clockwise, the more wet it gets, and it sounds like a bathroom. When set to the maximum, the sound will spread from a small attack all at once, creating a beautiful tone that sounds like strings.

Use the TIME knob to set the time over which the reverb reverberation will extend. A short setting gives a light reverberation in a small space, and a long setting gives a fantastic reverberation like a cathedral and a vast space like outer space.

You can switch the reverb tone with the center toggle switch. The switch positions are from top to bottom, such as the rich hall that resonates in a big hall, the SPRING that reproduces the spring reverb mounted on a large amp, which is often used for classical surf music, and the live house and studio. You can select a ROOM that gives you the impression of reverberation in the space.

ANIMAL PEDALS "Surfing Bear Overdrive"

The SURFING BEAR OVERDRIVE is an overdrive pedal that creates the most basic distortion required by guitarists of the present age.
From clean boost to light crunch to bright and warm drive tones, this tone can be used freely for both rhythm and lead.

This is a tone that is flat and has a wide dynamic range required for guitar tones, yet the mid tone is exciting.
It can be used effectively not only by using it alone, but also by boosting other distortions and amplifiers with SURFING BEAR OVERDRIVE, or conversely pushing SURFING BEAR OVERDRIVE with another distortion or booster.

The circuit is based on the legendary drive pedal "808". However, even if it is reproduced and reprinted as it is, it does not become the “current sound”.
The tones demanded by today's guitarists have a wide dynamic range, good responsiveness with variable gain in the volume of the guitar, and clarity that makes it easy to understand the chord structure. However, it is not only clear, but the balance between attack and sustain is also important.

ANIMAL PEDALS "Car Crush Chorus / Vibe"

Psychedelic" sound born in the chaotic world situation of the late 1960s. There is one and only modulation effect born in Japan that supported the tone.

A sound that twists and swells. The heavy tone rotates and sways like cutting the wind. The tone of the mysterious box, whose name was almost unknown at the time, further deified the sound of the left-handed guitarist who is still said to be "God."

Uni Vibe. That equipment was so called. Artists around the world are still looking for original models.

The Animals Pedal Car Crush Chorus / Vibe is a chorus / vibrato pedal that makes such vintage modulation sounds simple.

ANIMAL PEDALS "Vintage Van Driving is Very Fun"

To make the guitar tone brighter.
That's why players continue to seek and drive overdrive.

Vintage Van Driving Is Very Fun is an overdrive pedal that can raise the potential of guitar sound to a higher level.

A single coil creates a crisp texture, and a humbucker has a crisp attack. It's a really good overdrive.

Playing with a “good sound” that has a strong presence is of utmost importance. Have you ever played a guitar with a good sound and overflowed with new phrases?
Also, if the sound is good, you will not have extra power to play, have you ever made a better stage than before?
If you play the guitar happily, it will be transmitted to the audience, and the play will be even more exciting.

Playing with good sound is all a lubricant that creates a virtuous cycle.

ANIMAL PEDALS "Pedal Rover Fuzz"

What is your impression of the fuzz effect?
Wide range of emotional expressions from old sounds, severe distortion to clean. Legendary guitarists all use fuzz pedals well, and it's an indispensable effect, especially in classic rock and blues.

On the other hand, strong distortion may be jerky, and if you put it together in a band, you may have the impression that it is difficult to use because the sound is too old.
You might think it's a difficult effect that only a top class player can get the potential out of it, and you'll probably need a vintage pedal or a high end handmade pedal to get a "real" fuzz sound. May.

Animals Pedal Rover Fuzz overturns the tricky, advanced image of the fuzz effect.

ANIMALS PEDAL "Tioga Road Cycling Distortion"

"Distortion" that is indispensable for rock guitar sounds. Various distortions have been created with the passage of time.

A distortion pedal that has been loved since the first model was made in the late 70's. Especially since the middle of the 1980s, it has been playing an active role at the feet of many players, which is a "must have" for guitarists.

The Animals Pedal Tioga Road Cycling Distortion revives that distortion, which embodies classic distortion, as the tone of our time.

The tone of this pedal, created by the hands of world-renowned effector brand Wren and Cuff, that reproduces many classic effects and is all highly acclaimed, is called "I" made in the mid 80's. The sound of early models is at the center of it.
The Tioga Road Cycling Distortion isn't just a pedal that sounds old. With the texture of the distortion, especially the force that the core near the low mid trembles, along with the rich overtone components and the overall increased resolution, it is not just a classic distortion but to create the sound required for the present era It is finished as a pedal that can.
In addition, the texture of the distortion can be switched by switching the toggle switch to meet various needs.