AGUILAR "Chorusaurus" (Bass Chorus Pedal)

Providing the warm, rich tone that Aguilar gear is famous for, the Chorusaurus® uses analog, bucket-brigade technology for lush, organic chorusing.

The Chorusaurus® gives bassists unparalleled control of their tone with an intuitive, four-knob layout. BLEND controls the ratio of dry and wet signals. The RATE, INTENSITY andWIDTH controls provide maximum tonal sculpting. Now you can dial in subtle swirling textures, extreme chorusing or anything in between!

AGUILAR "Filter Twin" (SOLD)

The Filter Twin^® uses two identical filters sweeping in opposite directions - one up in frequency, one down in frequency - to give classic 70's-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allow you to get expressive new sounds that you can't get from other pedals.

The Filter Twin^® offers unique filter effects via an intuitive four-knob layout. The blend control allows you to adjust the mix between the filters. The threshold control determines how sensitive the unit is to different playing styles. The velocity controls determine the speed of each filter.

AGUILAR "Agro" (Overdrive)

The AGRO^® is based on the saturation channel of Aguilar's celebrated AG 500 bass head. Capable of producing everything from warm, tube-like overdrive to full on distortion, this pedal will give you the grind you need without sucking out your low end.

The AGRO^® offers a wealth of overdriven sounds within an easy to use, 4-knob layout. The Saturation control offers a tremendous range of distortion while the Contour control allows you to dial in a scooped or a more aggressive boosted midrange sound. The Presence knob adds the right amount of 'attack' ensuring that your bass remains defined even with the most saturated settings. The output level control guarantees that you'll be able to get the distortion you want at any volume level.

AGUILAR "TLC Compressor"

The TLC Compressor^® is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and live use. Our proprietary Trans Linear Control (TLC) circuit enables us to achieve unprecedented levels of performance in a small package.

The TLC Compressor^® features a four-knob layout to provide a full set of important features. Using a wide range of attack times and variable threshold and slope levels, you'll be able to dial in just the right sound. Aguilar's TLC Compressor^®gives you a range of control usually found only in expensive studio compressors.

AGUILAR "Octamizer" (Octavador)

Every bass player wants deep organic tone. The Octamizer^®creates a wide range of musical sounds an octave below your original note - you will be "octamized"!

The Octamizer^® features independent volume controls for both the Clean and Octave sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities.

The Clean Tone control uses a Full Spectrum Tilt EQ, allowing for the boosting of treble while cutting bass or boosting of bass while cutting treble. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

The Octamizer's Octave Filter control is a multi-pole low-pass Filter that lets you shape the octave sound from smooth and deep to edgy and aggressive.

AGUILAR "Tone Hammer" (Previo)

This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer^® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.

To give this tone shaping unit the ultimate flexibility we are introducing our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the "stomp" of a button. You can now go from modern slap sounds to vintage or overdriven. 18 volt operation gives the Tone Hammer^® plenty of headroom to reproduce the most dynamic playing style. Separate Gain and Master controls allow you to dial in just the right gain structure for any instrument.

The Tone Hammer^® is the essential preamp/direct box for every bassist's tool box.