Hemos creado una página web nueva donde puedes ver nuestros productos, mantendremos este blog temporalmente para que el cambio no sea tan drástico, no dejes de visitar nuestra web.
Utilizing JFET technology cascaded gain stages we set out to mimic the signal path and response of a high gain tube amp. Combining the best sounds of American and British style high gain amps along with a versatile 3 band passive EQ and presence control we created a distortion effect that can cover a wide range of gain from low overdrive – crunchy sounds to fully saturated gain with huge amounts of sustain. Even at high gain settings Black Magic mk2 preserves full clarity and definition and can clean up with your guitar’s volume knob. With an assignable boost footswitch you can select to boost gain, volume or both in order to stand out for your solo without the need to change settings on the fly.
Enter the StonedHz v2, a micro modulation factory featuring an all analog signal path controlled via a microcontroller for extreme possibilities. A MN3207 BBD chip along with an opto-isolator and a vast array of controls offer a massive amount of modulation manipulation. Inspired from the synth world we gave you total control over the 3 basic waveforms of the LFO (square, triangle and sine) with the ability to distort them. Moreover you can use amplitude modulation (tremolo) along with phase/pitch modulation or independently. In the second edition of the pedal we have added a ring modulator effect plus 4 CV inputs / outputs that will make the pedal compatible to most synthesizers / sequencers or drum machines out there. From classic sounds of flanger, chorus, vibrato, tremolo and leslie type effect to anything in between that will make you trip out.
The Crazy Tube Circuits Ziggy v2 is a British flavored dual overdrive / distortion designed with discreet MOSFET gain stages to respond like a tube amp with ultra touch sensitivity so that you can control everything from your guitar’s volume knob and pick attack.
A silent relay true-bypass switching circuit selects between 2 separate overdrive/distortion channels – low and high gain - each with its own controls for ultimate versatility. Low gain channel is voiced after late 60s Super Bass while high gain channel sounds and responds like a late 70s Master Volume British amp.
Gain knobs on both channels also act as voicing controls adding more bass as you turn clockwise, choosing from jangly and sparkling clean to thick crunch while tone knobs behave as a presence control adding bite to your tone.
An internal circuitry provides 18V DC from a standard 9V DC power supply to ensure maximum headroom and tube like response.
A bit of backstage info… back in 2016 we built a custom amp that was designed to morph between the sounds of a 5E3 Tweed Deluxe and a 6G2 Brownface Princeton. We liked the sound and feel of the amp so much that we decided to capture it in a pedal format.
Falcon was designed as a painstakingly close emulation of the circuits found in these amps. With every detail in mind we copied the behavior, sound and feel of the preamp, phase inverter and power amp of both these designs. Applying JFET technology we managed to recreate not only the overdriven sounds but the lower gain / clean sounds as well.
The most important part was emulating the compression and sag coming out of the power amp and tube rectifier respectively. This effect enhances the pedal’s dynamic, musical feel and makes it very responsive to your picking attack. Depending on amp mode setting and your guitar / pickup’s output this effect can be more or less pronounced.
It’s time for something new… replicating something old. Time has been redesigned once again to replicate the sound of tape and magnetic drum echoes of the past
With separate analog and digital paths to get best of both worlds, this unique sounding delay/echo will warm up your tone. An all analog signal path, featuring a Burr Brown opamp and high quality passive components, is used for the best reproduction of your dry signal. Two digital recording devices, along with carefully tuned analog filtering, placed in parallel with the analog dry path give you the most ambient echo unit you have ever heard. Up to one full second of delay time via m/sec knob or tap tempo footswitch into three divisions (quarters, dotted eighths and triplets) plus the ability to max out the repeats (oscillate) instantly by pressing the tap footswitch constantly, entering hold mode. To mimic all the variations and imperfections of a motor or adding a smooth chorus/vibrato we have also added a subtle modulation that you can switch on/off and control its speed/intensity easily via the m/sec knob while in hold mode. Choose between true bypass and a pristine buffered bypass with trails.
A multi-mode Germanium fuzz / booster inspired by british classic Fuzz boxes of the past.
All analog, featuring NOS Germanium transistors for smooth and deep complex tone with amazing clean-up.
We hand select 3 New Old Stock Philips OC41 Black Glass Germanium transistors for each pedal ensuring ideal performance and consistency.
A smart switching circuit gives you 6 toneful fuzz / boost settings.
You can select between four different fuzz sounds, a treble booster, plus a custom combination of them.
FF: Inspired by the Dallas Arbiter Fuzz Face, one of the most notable fuzz pedals in history
VTB: Inspired by the Vox ToneBender, a brighter but at the same time “polite” fuzz pedal.
3/2: Inspired by the Sola Sound Tone Bender Mk 1.5 often described as a darker and heavier Fuzz Face.
2: Inspired by the Sola Sound Tone Bender MkII, a wild saturated fuzz with lots of sustain.
RM: Inspired by the Dallas Rangemaster, a treble booster pedal typically used to increase treble content, gain and sustain of already overdriven tube amplifiers.
RMFF: A custom combination of a treble booster into a fuzz face that gives a bright and nasty fuzz sound tailor-made to cut through the mix.
Disclaimer: Dallas Arbiter, Fuzz Face, Vox, Rangemaster, Tone Bender and Sola Sound may be registered trademarks. Crazy Tube Circuits Constellation is in no way affiliated with, endorsed by, or sponsored by Dallas Arbiter, Fuzz Face, Vox, Rangemaster, Tone Bender and Sola Sound.
Note: Constellation is a positive ground circuit. Do not use a daisy chain power supply with negative ground effects.
Cyclone is an all analog phaser effect voiced after classic phaser designs of the past. We set out to emulate the phasing notches – frequency shifts and the behavior of the original unit that each of the voicings is modelled after. With the addition of extra controls, not part of the classic designs, a whole range of classic and non-classic uses become available making it an ideal texture machine with unparalleled harmonic richness.
Besides guitar and bass, it can be used on any instrument and works particularly well with classic keyboard sounds.
Place before or after your favorite drive to create different sound effect and texture.
Voicings:
45: Voiced after a classic 2 stage phaser born in mid 70s
Add spacy ambience to your sound with this subtle and musical effect somewhere between
a warm, organic phaser and a rotary speaker effect.
We strongly suggest higher depth settings on this voicing.
90: Voiced after a classic 4 stage phaser from the 70s.
From subtle warm, shimmering modulation to all-out high velocity swoosh.
The original units and their alterations/derivatives had little or no feedback signal at all. With the addition of the feedback knob you can emulate all these different versions and then some.
ST: Voiced after the 1st implementation of another classic 4 stage phaser design of the 70s.
Stronger and dirtier mid frequency notches for a whirling, pulsating and whooshing phaser effect. The original unit had a switch to select between no feedback and a fixed amount of feedback. With the addition of the feedback knob you can emulate all the in-between settings and more.
LT: Mesmerising phaser/vibrato. Voiced after a highly sought-after boutique phaser pedal that came to life during the 90s in the UK with 4 distinct phase shift notches. Takes an ideal space between a phaser and a vibe type of effect (depending on settings). Our take focuses mainly on the classic phaser/vibe, not the extreme sci-fi, sounds that were available from
Killer V was inspired by some very cool and unique amplifiers born in California, USA in the 50s and 60s, with a very distinct, true pitch-shifting vibrato circuit.
With every detail in mind we copied the behavior, sound and feel of the preamp, phase inverter, power amp and the compression/sag of tube rectification found in these designs. Applying all analog JFET technology and an internal voltage multiplier for high headroom and the ultimate tube-like tone we managed to recreate not only the overdriven sounds but the lower gain / clean sounds of these amps as well.
Why do you have to struggle for a digital emulation of two classic effects when you can have the real thing! That’s what we asked ourselves when capturing the concept of White Whale. It features a real 3-spring reverb tank along with controls for dwell, mix, and tone to provide the lushest analog spring reverb you’ll ever find in a pedal of its size (17 x 12,5 x 7,5 cm) to experience the ultimate ride of a wave. Combined with its two selectable modes of an all analog tremolo, opto (black) and bias shifting style (brown), the White Whale is all you’ll ever need to deliver old-school surf tones.
Each effect has its own true bypass function (via the onboard footswitches or remote switching units) so you can have simultaneous or independent operation. With 2 separate expression pedal inputs you can control parameters like reverb mix and tremolo speed. Classic sound with modern flexibility !
Sidekick combines the most common time based effects and creative tools in a compact design (14,5 x 12,3 x 7 cm), ideal for any fly-rig or small board setup. Starting with a fully analog, lush BBD chorus for 3-dimensional sounds that can be also switched for less modulated delay time and extra feedback creating a flanger like effect. A sweet but sparky echo / delay with a maximum delay time of 700ms adds organic repeats to your tone while 3 algorithms of spacious reverb (exciter – taken from Splash mk3, plate and shimmer) create the perfect ambience.
You can use any of the effects on their own or combine them to create the soundscapes of your dreams.
A switchable studio quality buffer / preamp taken from our Magnifier pedal ensures that all your precious tone will be kept unaltered through travels of long cables or enhance/boost your signal if needed (microphones, low output / piezo / acoustic instruments...)
With the DI and Headphones outputs with switchable amp / speaker simulation you can always have your personal in-ear monitor with you or silent practice late at night and at the same time connect to your audio interface / mixing console.
