Nueva Página Web !!!!!!!


Hemos creado una página web nueva donde puedes ver nuestros productos, mantendremos este blog temporalmente para que el cambio no sea tan drástico, no dejes de visitar nuestra web.

Mostrando entradas con la etiqueta Caroline Pedals. Mostrar todas las entradas
Mostrando entradas con la etiqueta Caroline Pedals. Mostrar todas las entradas

lunes

CAROLINE "The Blues"













Launched on April 1st by Caroline Guitar Co as a pretend joke, The Blues is a Dallas Rangemaster evolution presented as a gentler cousin to the company’s Hawaiian Pizza transistor fuzz-drive.

If the Pizza is 30% drive, 70% fuzz, then this is more like 80% drive, 20% fuzz.

The toggle switch in the middle changes gain structure.




 

miércoles

CAROLINE "Crom"





For years we have had players ask us if our pedals are appropriate for use in praise and worship settings. We have considered such a question blasphemous, as Crom is an angry deity who lives inside a mountaintop, who doesn’t concern himself with the matters of mere mortals, and cannot be bothered to hear their pleas for help, their prayers for vengeance, or anything that might resemble a song of praise or devotion.

CROM is a BC184 Supa Tone Bender style fuzzstortion like our original Olympia™, but with a classic tweed amp style tone control (MOUNTAIN) that interacts with the SWORD (gain) control. It is a LOT less lossy and less scooped than the classic M*ff style tone control in these circuits, giving the pedal an immediate and punchy response. A TURBO button on the side gives it extra power and gain.


 

martes

CAROLINE " Icarus Boost"





 Caroline Guitar Company Icarus Boost V2.1 up to +12db of clean boost with no additional gain just from the second (volume) stage, but once you add that gain and start to clip the hybrid Russian germanium and silicon diode circuit, you won't want to come back. The pedal is Based on the acclaimed preamp from the Parabola and Météore, but the Icarus expands on it with the multiple gain stages, gently tapered highs control, and buffered/true bypass. All running elegantly at 9VDC .

viernes

CAROLINE "Icarus V2.1"











The Icarus V2.1 is a straight up, to the point, amazing preamp/overdrive/boost. There's up to +12db of clean boost with no additional gain just from the second (volume) stage, but once you add that gain and start to clip the hybrid Russian germanium and silicon diode circuit, you won't want to come back. Based on our acclaimed preamp from the Parabola™ and Météore™, Icarus expands on it with the multiple gain stages, gently tapered highs control, and buffered/true bypass. All running elegantly at 9VDC with no noise-inducing charge pumps or other goofy frills.  To dive into the controls.... Three knobs and the truth! This preamp is useful and plenty loud, so don't be surprised to run it lower than you might with other light drives or boosts. A little goes a long way. GAIN is how much boost is applied to your input signal: All the way off is just the signal from your instrument, turning up will clip the diodes nicely. HIGHS is the amount of frequency content. It interacts with the OUTPUT knob, which controls the output volume. With GAIN all the way off, OUTPUT can still give you up to +12db of boost, so with those other controls up, you may want to keep it down. Horses for courses, they say. The slide switch on the inside will convert this pedal between buffered and true bypass. The buffer can help maintain signal integrity for longer signal runs.

 



 

martes

CAROLINE "Megabyte Delay"











Are your cyborg bodies ready? You’ve asked us for this for a while – so we’re giving you what you want! MEGABYTE™ builds on our acclaimed KILOBYTE™ legacy with two old school lo-fi digital chips for more delay time, tap tempo, trails or true bypass, and a nastier, dirtier runaway havoc. All with a straightforward (at least for us) and intuitive, immediately rewarding control setup.
Less time menu scrolling, more time rock and rolling.

CAROLINE "Parabola Tremolo"









Here's what Caroline Guitar Company say about the Parabola:

PARABOLA is the sonic equivalent of riding your space mammoth through giant puddles in the astral plane while feeding it caffeinated energy drinks.
Think of this as your rig’s new “tremolo channel”. We’ve adapted the deliciously sloshy, transistor-based LFO and distinctive waveform from our favorite “West German” device, modified its speed and depth to match and go beyond those from your favorite classic amps, and then added pre and post effect gain stages for both overdrive and volume boost. Then we offer the classic, dramatic amplitude modulation (AM) you might expect, or a filtered modulation (FM) that is subtle, beautiful, and less invasive on your playing.
Your pedal was dreamed, designed and created at our small batch distortery™ in Columbia, S.C. Thank you for supporting our work and putting it to use.

CAROLINE "Somersault" (Chorus)









Here's what Caroline Guitar Company say about the Somersault:

This one sparks joy! Our SOMERSAULT is the chorus-y/vibrato-y/faux-rotary device our customers have asked us to make for years. So now it’s time.
From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy sounding stuff was actually the easy part for us. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie sounds you can make with this thing, we encourage you to explore the subtleties of how each control interacts with the others, and the remarkable range of sounds that you can quickly and intuitively dial in. Gentle, lagging vibrato, 1980s style choruses, and even some doubling effects are possible…and then, turn up & go wild again.
SOMERSAULT applies a similar framework as our popular KILOBYTE and MÉTÉORE pedals. While the digital chip sets the delayed wet signal, the initial gain stage, dry signal, LFO, control set and output mixing stage are entirely analog. The end result sounds rich and fat, with the same robust feel and power our customers have come to expect from our work.

CAROLINE "kilobyte Lo-Fi Delay" (SOLD)










We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES!
This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.

CAROLINE "Hawaiian Pizza"







The Hawaiian Pizza fuzz pedal is the latest bizarre contraption from the minds of the Caroline Guitar Company. Combining classic overdrive with molten fuzz (sweet & savoury), the Hawaiian Pizza is undoubtedly a head-turner.

Key Features

  • Emulates classic tube-style overdrive, perfect for pushing the front of your valve amp
  • Also has heaps of fuzz on tap - from subtle lead tones to gated mayhem
  • Three simple controls: output volume, fuzz bias and input signal
  • Internal passive guitar pickup emulator allows the pedal to be placed anywhere in the chain

miércoles

CAROLINE "Kilobytte Lo Fi Delay" (SOLD)







We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES!
This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.