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The EBS MultiComp is a high performance, analog compressor pedal, with a choice between solid state, tube simulation and multi-band compression.
Make Your Sound Even Better
The MultiComp can make a good sounding instrument sound even better. Once you’ve tried it, you’ll never want to play without it!
The EBS MultiComp is equally good for guitar as bass, and is the best selling EBS pedal ever.
Improvements with the new edition
3 dB higher headroom
New analog circuitry with higher dynamics and lower noise.
The EBS BassIQ is an analog envelope filter pedal that is triggered by the notes you play. The results are the funkiest and most responsive sounds in a stomp box.
Auto-Wah or Funkadelic Sounds
The pedal achieves sounds ranging from the classic auto-wah to your own unique space-bass or ”Funkadelic” sound. It features controls for threshold and attack, and runs in three different modes, Hi-Q, Up and Down. The 2008 edition uses true bypass technique.
Improvements with the new edition
3 dB higher headroom
Higher sensitivity - easier to dial-in
New analog circuitry with higher dynamics and lower noise.
The Billy Sheehan Signature Drive pedal is developed by EBS in close co-operation with Billy himself. It is based on the concept of mixing together a clean signal with a distorted to be able to preserve low frequencies and find balance between distortion and definition.
Built-in Compressor
The option to add compression make possible to keep the note differentiation clearly audible even at heavily distorted sounds. There are three modes for the buil-in compressor, High, Mid and Off. For the Mid setting, there's an additional trim pot inside to set the level. There's also a trim pot to set the Threshold for the compressor.
Clean Loop, Drive Loop - Endless possibilities!
The Billy Sheehan Signature Drive offers unlimited pre-post mix tone shaping, made possible by including a clean loop and a drive loop. It lets the user insert any other effect they wish within each loop to ’pimp’ the effect into your own signature effect! For example, connect an external EQ to the Drive Loop and shape the character of the distortion any way you want. Or, turn off the built-in compressor if you prefer to use a different type of compressor and put in the Clean Loop.
Controls
With the new extended size box from EBS, there are controls for Drive (gain for the overdrive engine), Tone (sets the frequency scoop for the drive), Level (sets level for drive channel post Drive Loop and pre final compressor) and Clean (sets level for the clean channel, post Clean Loop and pre final compressor).
