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Mostrando entradas con la etiqueta Way Huge. Mostrar todas las entradas
Mostrando entradas con la etiqueta Way Huge. Mostrar todas las entradas

martes

WAY HUGE "WHE205C" LIMITED




Dunlop Way Huge WHE205C Chalky Box Special Edition

Saucy Box Overdrive comes from Way Huge's lab. Like the previously acclaimed Pork Loin Overdrive, the Saucy Box derives its unique versatility from discreet, clean and overdrive signal paths that combine them and deliver one of the most environmentally friendly overdrive pedals available. This special limited edition Chalky Box pedal boasts that the case is covered with paint on the board and comes with its own set of chalks, so you can create your own artistic touch of effect.

Control:

• Volume: Adjusts the overall signal volume
• Drive: Adjusts the intensity of the distortion
• Tone: Adjusts the EQ from warm to bright

Technical specifications:

• Effect type: Overdrive
• Special limited edition Chalky Box covered with paint on the board and comes with a set of chalks
• Discreetly clean and overdrive signal paths
• Passive tone circuit
• Bypass switch
• Metal case
• Connectors: input / output 6.3 mm mono Jack
• Power supply: via 9V battery or from an adapter (Dunlop ECB003 - 9V DC), which is not included in the package
• Power consumption: 15 mA
• Dimensions: (L x W x H) 121 x 95 x 44 mm
• Color: Black.


 

jueves

WAY HUGE "Swollen Pickle Small" (WM41)











WAY HUGE® SMALLS™ SWOLLEN PICKLE® FUZZ

WM41

The Way Huge Smalls Swollen Pickle Jumbo Fuzz concentrates all the potent flavors of its predecessors into a super pedalboard-friendly housing with a simpler interface so that you can plug in and serve up savory saturation in no time at all.

 

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).


 

WAY HUGE "Purple Platypus"










Octave and fuzz are so naturally (if dementedly) matched that it’s almost unusual to see an octave pedal without fuzz. But octave effects can be made more articulate and versatile with a lower-gain source of drive. This concept inspired Jeorge Tripps' original Purple Platypus, and the new MkII version reviewed here.

Fundamentally, the Purple Platypus is derived from the Dan Armstrong Green Ringer and Tripps' Red Llama overdrive, which was rooted in Craig Anderton’s Tube Sound Fuzz design. Unlike some super-glitchy octave fuzzes, the Platypus’ sustain is impressive when you keep the gain wide open.


 

martes

WAY HUGE "Aqua Puss Smalls MK III" (SOLD)











The Aqua-Puss Analog Delay is famous for its bright, jangly repeats and wonderfully straightforward operation. Now, all of that wholesome goodness comes in a Way Huge Smalls housing that your pedalboard will love you for. With 20ms to 300ms of delay time on tap, this pedal is all about tone-thickening and old school slap-back. The Feedback control regulates delay duration and intensity, but beware! Extreme settings are known to throw this pedal into wild, space-and-time-warping self-oscillation. Use the Blend knob to set a balance between dry and delay signals, from mild to wild! The Aqua-Puss Analog Delay is a must for players who want to add a little depth to their tone or conjure up some slap-back sweet enough to earn the envy of any rockabilly or country legend.

viernes

WAY HUGE "Conspirancy Theory Professional Overdrive"






THE LONG STORY

This is the overdrive pedal that THEY don’t want you to know about! Developed in total secrecy by a shadowy organization embedded deep within the deepest of states, the Way Huge Smalls Conspiracy Theory Professional Overdrive is reported to bring forth unparalleled sonic delight. They say it relies on alien technology bestowed upon our ancient forebears, producing a sound so dazzling that it generates a heatless auditory light that will liberate the consciousness of any guitarist who kicks it on. Adjusting the Gain control initiates a form of fusion heretofore unknown to science, bonding rich harmonics with your guitar signal to create smooth, transparent overdrive. Use the Volume and Treble controls to set just how far your signal penetrates the furthest reaches of the universe and what it’s shape is when it gets there. Thanks to a rather harrowing clandestine operation, we can grant you the ability to harness the mythical power of the Conspiracy Theory Professional Overdrive right on your pedalboard.

lunes

WAY HUGE "Overrated Special" by Dunlop (SOLD)












Joe Bonamassa likes his overdriven sound bold and punchy, and the Way Huge Overrated Special™ Overdrive is designed to give the impeccable blues man just that. Jeorge Tripps took an old school Green Rhino OD, hot-rodded it for a more pronounced midrange, and added a 500Hz control so that Joe can punch up the low mids for his tasty, groovy licks. Volume, Tone, and Drive controls round out a straightforward user interface so you can plug in and get right to it. Run the Overrated Special OD in front of a clean amp for a gritty boost, or slam an already distorted channel for an electrifying surge of gain and sustain worthy of Joe Bonamassa’s searing leads.

jueves

WAY HUGE " Supa Puss Analog Delay" by DUNLOP











The Way Huge® Supa-Puss™ Analog Delay was designed by delay master Jeorge Tripps for exploring the farthestreaches of true analog delay potential, featuring an eternity of delay time and fine control over numerous parameters of your delay signal. 

Tripps equipped the Supa-Puss with a total of six bucket-brigade chips, delivering up to 900 milliseconds of delay time. With the Tap Tempo switch, you can program in real time up to three full seconds of delay time for ethereal ambience. The Subdivision control allows you to set how your repeats are subdivided, and by switching to the unique Chase mode, you can set your repeats to cycle through each of the Subdivision values in different ways for maximum freak-out effects. 

In addition to standard Delay and Feedback controls, Tripps included several controls for fine-tuning the sound of your repeats: Tone for shaping color, Gain for adding grit, and Speed and Depth controls for adding shimmering, liquid textures with the Supa-Puss’ LFO modulation circuit. For even further tweakability, Tripps added a true Mix control so you can set your desired blend of wet and dry signals. 

Finally, the Supa-Puss has anexpression pedal jack so you hook up an expression pedal for continuous, real-time control over the Supa-Puss’ delay time.

miércoles

WAY HUGE "Aqua Puss (Delay)" by Dunlop (SOLD)







The Aqua-Puss MkII is making its triumphant return, ready to bathe a tone-thirsty world in gorgeously smooth delay. One twist of the Delay knob takes you from a tight 20ms delay to a cavernous 300ms. The Feedback control regulates delay duration and intensity. But watch out. Extreme settings can send the Aqua-Puss MkII into self-oscillating psycho-freak-out mode! Meanwhile the Blend knob lets you set a balance between dry and delayed signal—from mild to wild. The Aqua-Puss MkII delivers all the spooky mystery of vintage analog delay and tape-based echo, with none of the hassle of creaky, ancient gear.

"I really like the Way Huge Aqua Puss delay. It works great for me on my fly-out gigs. Thinking about just using it all of the time.” - Jim Heath a.k.a. Rev. Horton Heat

WAY HUGE "Swollen Pickle Fuzz" by Dunlop





The most sought after and corpulent Way Huge pedal is back! The Swollen Pickle MkII surrenders super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it. With a twist of the Sustain control, you’re taken from mild crunch to Armageddon! The Filter control retains its trademark insane range of heavily band-pass-filtered tones, distinguished by remarkable girth and sizzle, and the Loudness puts out enough volume to clobber any amp! Newly added features include a tone stack Scoop control that elicits classic Swollen Pickle mid-scoop or a flat mid-frequency sweep, and a Crunch knob to adjust the compression intensity of the fuzz. Finally, under the hood, the Swollen Pickle MkII has two internal mini controls; Voice sets the intensity of the external scoop control from light to heavy mid cut, and Clip varies between two sets of clipping diodes for smooth or opened fuzz sustain.

WAY HUGE "Fat Sandwich Distorsion" by Dunlop (SOLD)







The Fat Sandwich represents a new era in pedal design for Way Huge. In addition to carrying on the Way Huge tradition of amazing tone, rugged construction and cool names, the Fat Sandwich delivers heaps of crunchy distortion goodness via its innovative multi-stage clipping circuit. Meticulously designed from the ground up, the passive tone stack was tuned to bring out the “sweet spot” with any guitar and amp combination. The Volume control produces tons of output, making it ideal for driving the headroom out of the most powerful tube amps. Additionally, the Fat Sandwich has two internal mini controls: the Curve knob lets the user fine-tune the corner frequency of the overdrive filtering and the Sustain control adjusts the gain of the final distortion stage. The Fat Sandwich is versatile and over the top—the consummate distortion pedal for any genre or playing style.
Power: Dunlop ECB003 AC Adapter or Single 9 volt battery